POPOVA, a revenge fantasy comic book series in the vein of Inglorious Basterds, explores the idea of reversing society’s gender stereotypes by depicting women in the role of the aggressor.
In Knight in the Snake Pit, we follow a character Allister Ward who is stuck in two worlds, jumping back and forth at random. One world is 1940’s Los Angeles, where he’s a patient at a mental hospital and the other world is a medieval fantasy world, where he’s being begged by a king to save his daughter and his kingdom from an impending invasion that could happen at any moment.
Allister must determine if he’s really suffering from delusions or if everything in both worlds is real. If that’s the case, he needs to worry about how to not get killed by his “delusions.”
If Miles Davis had been the one to fall down the rabbit hole in Alice in Wonderland, you would have had something closely resembling the bizarre and turbulent world of Jazz Legend.
Teenage misfits Duncan and Madison discover they share two secrets in common: they both have super powers, and neither is very good at staying out of trouble.
A mysterious cowboy named Reno shows up in the booming silver mining town of Crooked Creek. A card game goes about as badly as it can and Reno runs afoul of the local powers-that-be. Rescued from death in the desert by a local Indian Tribe, for their own purposes, Reno is sent on a mission of vengeance as more than a man, but less than human.
